last night spent in with friends:
https://www.discogs.com/master/77379-Nina-Simone-Silk-Soul
https://www.discogs.com/master/174940-Paul-Revere-The-Raiders-Paul-Revere-The-Raiders-Greatest-Hits
https://www.discogs.com/release/2832670-The-Byrds-Preflyte
https://www.discogs.com/master/233310-Sex-Clark-Five-Strum-Drum-
https://www.discogs.com/master/23357-Kevin-Ayers-Joy-Of-A-Toy
https://www.discogs.com/master/725727-C%C3%A9line-Dion-Les-Chemins-De-Ma-Maison
after everyone left, eyes closed on the couch, feeling it:
https://www.discogs.com/master/453922-UV-Race-UV-Race
All the eddy current talk got me pulling out my fave Australian stuff of the era. The In the red records were the gateway for me, and are great, but this is my fave statement of the band. The covers are perfectly tossed off and sincere and the sense of spontaneity through out is unfakable majesty
https://www.discogs.com/master/469112-MC5-Live-Detroit-6869
monstrous live recording, low fidelity but the power of Tyner's vox comes screeching through and his insane mic control is a highlight no doubt. Skronky sax adventures and the band's freeist momentum prevail. Masterful musical intuition throughout.